by David Robinson
With so many cymbal choices and manufactureres it may seen overwhelming when buying a pro level cymbal set that will make your ears happy for years to come. These recommendations can help you sort through the "bronze jungle" and avoid buyers remorse or constant upgrading.
The first consideration is having an ideal sound in your head of what each type of cymbal should sound like. This is a subjective decision and can vary widely among drummers of different styles and influences. The most important factor for "musical sound" is the grade of cymbal. Stick with the pro-grade lines. Cheaper cymbals always have an inferior clangy and unpleasant tone.
The Ride and Hi-Hat are by far the heart of your cymbal sound and should be chosen very carefully, as almost all of your playing will done be on these two. Testing the model you are interested in at a music store or drum shop is the best way to find the right cymbal. If buying on the internet listen to various sound samples or demos of the same model cymbal, preferably played with a set. This will give you a general idea of the sound qualities, although not as accurately as a hands-on audition.
When choosing a ride be careful of the relationship between the "ping" or stick tip definition and the overall "wash" or build-up of the overtones from the overall bronze body of the cymbal. Consider the cymbal weight, pitch, tone and volume. Do you prefer warm, dry, and softer volume or metallic, ringy and loud? Rides also sound much different played alone as opposed to being played with other musicians or with a drum set. This is due to the acoustics of different instrument frequences interacting with each other. Ask for a 24 hour trial period at home if buying locally or inquire abour return policies if buying online.
The stick model and weight will also have a noticeable influence on the volume and tone. Nylon tip vs wood tip sticks will also have a dramatic affect on the sound. Test cymbals with several sticks and tips that you may use to get an idea of the versatility of the cymbal. Remember that the ride and hi-hats will be the "glue" that holds your grooves together, so it's important to be picky with your choices.
A nice crash is easier to decide on if you stick to the thin models which generally sound the best for most styles of music. If you hit really hard however, these will tend to crack easily. A heavier weight crash would be a better choice. Personal preferences should always be your guide. Below are a few Zildjian models that are versatile pro level cymbals, each with different tonal qualities from the Zildjian A and K series. These are a good basic starting point in your search to get a feel for what's available from Zildjian.
K. Constantinople Ride
K. Custom Special Dry Ride
A. Armand Ride
A. Ping Ride
A. New Beat Hi-Hat
A. Armand Hi-Hat
K. Light Hi Hat
A. Armand Thin Crash
A. Thin Crash
When you find your ideal ride and hi-hat the rest is pretty easy. Although
the above Zildjian cymbals are expensive, finding that perfect match for your style
and sound will be an investment that can last a lifetime. Choose carefully
and your cymbals will always have a musical and pleasing tone to your ears!